
Covering The San Francisco Bay Area & Sacramento Valley Since 2001
Current Production
![]() | Anthropology is a full length play by Lauren Gunderson that sits solidly in the drama genre with touches of thriller and science fiction woven through its core. The story follows Merril, a brilliant Silicon Valley software engineer who is still reeling from the disappearance of her younger sister Angie. A year after the search ends and the world seems ready to move on, Merril refuses to let go. Instead, she turns to the only tool she trusts: her own code. Using every scrap of Angie’s digital life, she creates an advanced virtual version of her sister, a simulation built from texts, emails and online traces. What begins as a desperate attempt to feel close to Angie again slowly evolves into something far more complicated as the virtual Angie starts offering insights that feel eerily real. The play explores how grief can collide with technology, how memory can be shaped by what we leave online and how far someone will go when love and loss leave no clear path forward. | ||
Coming Soon
• OPENS JUL 16, 2026 • Ride the Cyclone / Musical Ride the Cyclone is a darkly witty musical that follows a group of Canadian teenagers whose choir trip takes an unexpected turn when a visit to a rundown carnival thrusts them into a strange contest for a second chance at life. The story leans into humor as much as heart, blending quirky charm with moments of genuine introspection. A mysterious mechanical fortune teller sets the stage, drawing each student into a spotlight that reveals their dreams, fears, and the odd little truths they never said out loud. Instead of leaning into gloom, the show uses its unusual setup to explore identity, purpose, and the messy business of growing up, all wrapped in lively music that swings from playful to haunting with ease. The carnival setting adds an offbeat spark that feels both whimsical and slightly unsettling, and the characters bring enough personality to keep the audience guessing what might be revealed next. Ride the Cyclone invites viewers into a world where humor softens the heavy moments, friendship flickers even in the weirdest corners, and every voice gets a chance to be heard. | |||
• OPENS SEP 24, 2026 • Eureka Day / Play Eureka Day is a sharp, fast-moving stage comedy-drama that drops audiences into the polished halls of a progressive private school in Berkeley, California, where every decision is supposed to be made through kindness, inclusion, and total consensus. The school’s board members pride themselves on being thoughtful and open-minded, carefully choosing every word while trying to keep parents, teachers, and students happy at all times. That delicate balance begins to crack when a sudden health crisis sweeps through the community, forcing the group into tense conversations nobody wants to have. As meetings grow more chaotic, polite discussions slowly turn into awkward standoffs filled with passive-aggressive comments, emotional clashes, and surprisingly funny misunderstandings. Jonathan Spector’s play blends biting satire with real human vulnerability, poking fun at modern social debates while also showing how difficult it can be for people to agree when fear, pride, and personal beliefs get involved. Clever dialogue, uncomfortable humor, and painfully relatable arguments make Eureka Day feel both hilariously exaggerated and startlingly familiar, creating a theatrical experience that keeps audiences laughing while squirming in recognition. | |||
• OPENS NOV 19, 2026 • The 1940s Radio Hour / Musical The 1940s Radio Hour is a nostalgic musical comedy that drops audiences into a bustling New York radio studio during a live wartime holiday broadcast in 1942. As singers, musicians, announcers, technicians, and backstage dreamers scramble to put on The Mutual Manhattan Variety Cavalcade, the show captures the charming chaos of old-time radio, complete with swing tunes, jitterbug energy, corny commercials, sound effects, and personalities big enough to rattle the microphone. Behind the polished voices and cheerful songs, the station is full of nerves, ambition, romance, rivalry, and the shadow of World War II, giving the laughter a tender edge. A harried producer tries to keep the program moving, a smooth but unreliable crooner tests everyone’s patience, a hopeful delivery boy longs for his big break, and a young musician faces a future far beyond the bandstand. Fast, funny, sentimental, and tuneful, the show celebrates a world where entertainment lifted spirits, live radio could go gloriously wrong, and every broadcast felt like a little miracle. | |||
• OPENS JAN 21, 2027 • Based on a Totally True Story / Play Based on a Totally True Story is a contemporary comedy play about Ethan Keene, a young playwright and comic book writer whose career is suddenly speeding faster than he can steer. When a veteran Hollywood producer takes interest in turning one of his plays into a horror movie, Ethan finds himself pulled into a dizzying world of meetings, rewrites, deadlines, and big promises. But while his professional life starts glowing with possibility, his personal life gets messier by the minute. His relationship with his boyfriend is under strain, his father remains a complicated presence, and Ethan must figure out whether success is worth anything if it leaves his real life sitting in the lobby. Fast, funny, and full of showbiz chaos, the play blends coming-of-age comedy, workplace satire, and heartfelt personal drama into a sharp look at ambition, love, family, and the strange business of turning pain into art. | |||
• OPENS MAR 11, 2027 • Aresenic and Old Lace / Play Arsenic and Old Lace is a dark comedy stage play wrapped in the charm of an old-fashioned mystery, where polite manners and deadly secrets collide inside a cozy Brooklyn home. The story follows drama critic Mortimer Brewster, a man who believes he has finally escaped his family’s strange reputation after becoming engaged to the woman he loves. His plans for a peaceful future quickly unravel when he discovers that his sweet elderly aunts have been hiding a shocking hobby behind their tea cups, lace curtains, and cheerful hospitality. As Mortimer scrambles to keep his sanity, the house fills with eccentric relatives, nervous police officers, suspicious visitors, and increasingly chaotic misunderstandings that pile up faster than he can control. What makes the production so entertaining is the way it balances witty dialogue, frantic energy, and creepy surprises without ever losing its playful spirit. Packed with sharp humor, quirky characters, and nonstop confusion, Arsenic and Old Lace turns murder into a hilariously twisted game of manners that keeps audiences laughing while wondering just how much madness can fit under one roof. | |||
• OPENS MAY 13, 2027 • Dream Hou$e / Play Dream Hou$e is a sharp, surreal play and satirical family drama about two Latina sisters who appear on an HGTV-style reality show to sell their family home in a rapidly gentrifying neighborhood. Patricia and Julia see the house as more than property, but also as a ticket, a burden, a memory box, and maybe their last chance to turn family history into financial security. As the cameras roll, the sisters perform the cheerful language of renovation television, smiling through staged charm while old wounds, ancestral echoes, and uneasy questions creep through the walls. The play blends comedy, drama, and magical realism into a lively story about home, heritage, ambition, and the strange price of “progress.” What begins as a glossy real estate opportunity slowly becomes a tug-of-war between past and future, with each sister forced to ask what can be sold, what must be protected, and whether cashing in means giving something sacred away. | |||
• OPENS JUL 15, 2027 • Company / Musical Company is a musical comedy about Robert, a single New Yorker turning 35 while surrounded by married friends who adore him, tease him, and constantly wonder why he has not settled down. Through lively dinners, awkward dates, birthday surprises, and brutally funny conversations, Robert watches the couples around him wrestle with love, boredom, jealousy, loyalty, compromise, and the strange comfort of having someone there. Rather than following a simple beginning-to-end plot, the musical unfolds like snapshots from modern adult life, each one pulling Robert deeper into the question he keeps avoiding: is freedom enough, or does being alive require the risk of real connection? Witty, stylish, and emotionally sneaky, Company turns marriage into both a comedy routine and a mirror, showing relationships as messy, exhausting, hilarious, and sometimes worth the trouble. With its clever songs and grown-up humor, the show invites audiences into a buzzing circle of friends where everyone has advice, nobody has all the answers, and love is anything but simple. |













